Fleet Foxes | Blackfire Research

Bay Area Concert Buzz: Outside Lands Music and Arts Festival 2017

August 8, 2017

Since the summer of 2008, San Francisco’s Golden Gate Park has played host to the Outside Lands Music and Arts Festival. Like other well-known outdoor festivals (like Coachella and Lollapalooza) Outside Lands takes place over the course of three days and boasts an abundance of high profile performers on multiple stages. Unlike other festivals, Outside Lands bills itself as a “celebration of Music, Food, Wine, Beer, Art, and Comedy,” meaning, there’s something there for everyone (even if that something is getting drunk off Napa Valley Merlots at the Wine Lands pavilion).

The festival will be taking place this weekend: Friday August 11th, Saturday August 12th, and Sunday August 13th. This year also marks the 10th anniversary for Outside Lands, and with an all-star lineup, it’s sure to be one big celebration.

The festival begins on Friday August 11th, with everyone’s favorite virtual group, Gorillaz, headlining. Their latest album, “HUMANZ” was released this past spring. Known for their creativity and unique performances, Gorillaz is the perfect group to kick off this year’s festivities. Also performing on Friday: legendary hip-hop group A Tribe Called Quest; summer music festival indie favorites Alt-J and Fleet Foxes; as well as celebrated pop group Belle and Sebastian.

The Saturday lineup brings rock and heavy metal to the festival, with rock and roll hall of famers, Metallica, headlining in the evening. Queens of the Stone Age, and Alt/electronic pioneers, Empire of the Sun, are also taking the stage earlier that day. But Solange – whose late 2016 album, “A Seat at the Table,” debuted at #1 on the Billboard Top 200 Chart and earned her extensive critical acclaim – is the artist I’m most looking forward to seeing on Saturday.

On Sunday, the final day of the festival (which is typically the most laid back of the three), Jack Antonoff’s indie-pop side project, Bleachers, will perform. In addition to releasing a new Bleachers album, “Gone Now,” in June, Antonoff has been hard at work producing and writing for other artists over the past few years, most notably – Sara Bareilles, Taylor Swift, and Lorde. Speaking of Lorde – the twenty year-old music sensation who just released her sophomore album, “Melodrama” – will be sub-headlining that day. Lorde is known for her dramatic, captivating live performances, and to say I’m excited to see her is quite an understatement. The final act of Outside Lands 2017 will be classic English rock band, The Who, taking fans on a journey through their iconic body of work, from “My Generation” to “Tommy” and “Who’s Next.”

For more information on the festival and to purchase single day tickets or 3-day general admission, visit the Outside Lands Website.

Music Review: Fleet Foxes, “Crack-Up”

July 28, 2017

Featured Music Friday

FireCat

The last time Fleet Foxes released new music, it was 2011 and “planking” was a thing. Since then, a lot has changed: the US has gone through not one, but two divisive Presidential elections; the band’s drummer, Josh Tillman, left to start a snarky, yet successful solo career as “Father John Misty;” and it’s lead singer, Robin Pecknold, moved to New York City to complete an undergraduate degree at Columbia University. Fans have been anticipating new music since 2013, when the group uploaded a teaser pic on their Facebook page, which has since been deleted. It’s almost hard to believe that we’ve been waiting six years for a third Fleet Foxes album – almost. As quickly as their music blew up across college campuses (and even more vigorously in Europe) they were gone – like footprints covered by snow. Winter has thawed to reveal “Crack-Up,” an astonishing work of art: complex, subtle, devastating, introspective, and celebratory all at once. The sound is fresh, yet distinctly Fleet Foxes – mixing folk with New Age and Eastern influences. “Crack-Up” requires just as much patience to listen to as it – undoubtedly – needed to create. But once you wade in, the music breaks over you like a wave, and you’re swept into a new, but familiar space. The album plays host to many memorable moments, including the 9-minute “Third of May / Odaigahara,” which takes a sudden, sorrowful turn roughly 3 minutes in; “Kept Woman,” and “Fool’s Errand,” just to name a few. “Crack-Up” is a classic in the making, and a welcome addition to Fleet Foxes’ small, yet stunning oeuvre. Fleet Foxes is now on tour! Check out their tour schedule here: http://fleetfoxes.co/tour

Music Review: Father John Misty, “Pure Comedy”

May 12, 2017

Featured Music Friday

FireCat

On April 7, singer-songwriter and former drummer for “Fleet Foxes,” Josh Tillman, who began singing as his Father John Misty persona in 2012, released his third studio album, “Pure Comedy,” a sprawling, 75-minute exploration of capitalism, pop culture, technology, humanity, politics, cynicism, revolution, and everything in between. “Pure Comedy” is both beautiful and tortuous, exemplified by the album’s mainstay, “Leaving LA,” a 13-minute, autobiographical narrative that, at times, is both haughty and humble. Today’s political climate (and climate change) provides the cynical Misty with a generous amount of source material, so much so, that much of the beautiful orchestral arrangement of the album gets swallowed by the lyrics, or simply feels out of place. That’s not to say Misty’s melodies fall flat entirely, but the most successful songs on the album are the few where the songwriter’s poeticism engages with the swells of his supporting orchestra, such as on the album’s self-titled opener, “Pure Comedy,” the utopian “Things It Would Have Been Helpful to Know Before the Revolution,” and the sarcastic “Ballad of the Dying Man.” Misty’s doomsday aesthetic, although challenging to the listener, resonates auspiciously in 2017. As Pitchfork Staff writer, Jazz Monroe wrote in his review of the album: “Josh Tillman…excels at tormenting those unlucky souls who enjoy his music.”