Music Review: Solange, “A Seat at the Table”

Music Review: Solange, “A Seat at the Table”

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The third studio album by singer/songwriter Solange Knowles is by far her most impressive to date. Receiving wide critical acclaim and landing Knowles her first number-one album on Billboard 100 (US), A Seat at the Table is a powerful statement on black womanhood. Knowles’ vocals soar, never distracting from the Album’s core meaning, only signifying its force. Among the R&B, Funk, and psychedelic-soul tracks that make up the album, Knowles peppers in spoken word Interludes, recordings of her parents, her family, and herself, discussing black culture and their experiences with systemic racism in America.

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Music Review: Lady Gage, “Joanne”

Music Review: Lady Gage, “Joanne”

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Lady Gaga is back with her latest, most autobiographical album, Joanne, named for her late aunt, released on October 21st. The 14-track album features more stripped down vocals and a folksy resonance not seen in much of Gaga’s previous work. With contributions by Florence Welch (“Hey Girl”), Mark Ronson, BloodPop, and Tame Impala’s Kevin Parker, Joanne is a mixture of dance-pop ballads and down-home melodies. With this fifth studio album, Gaga continues to resist pigeonholing herself in an industry and career she is constantly working to redefine. https://www.ladygaga.com/

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Music Review: Bon Iver, “22, A Million”

Music Review: Bon Iver, “22, A Million”

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Justin Vernon (aka Bon Iver) has come out of hibernation to release his long anticipated third studio album, 22, A Million. It’s late September release marked a departure for the singer/songwriter from the soft, chilling, melodic tones of For Emma, Forever Ago (2007) and Bon Iver, Bon Iver (2011) that solidified his place as the top folk artist of the last decade. When looking at the trajectory of Vernon’s art as a whole, this departure into the fragmented, overlapping, experimental 22, A Million, isn’t all that random, perhaps even sonically foreshadowed in some of Vernon’s earlier work. Despite its postmodern pitch and pastiche song titles (“715 – CRΣΣKS”), Vernon’s renowned falsetto breathes life into familiar themes of uncertainty and decay. https://boniver.org/

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